2021年4月12日星期一
118金宝搏 描绘人类形态的美丽。历史和......

描绘人类形态的美丽。What is the history and modernity of beauty painting?

一本碧靖娜是一幅描绘了一个美丽的女人的外表和手势,或者一种涉及女性美丽的绘画。术语“Bijinga”是一个源于日本的术语,这项工作的风格象征着日本女性的美丽。

由Hishikawa Shigenobu,回望一位美丽的女人,在丝绸上的颜色,
63.0 x 31.
2厘米,17世纪(

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Tokyo National
博物馆



碧靖华的历史,始于Ukiyo-e艺术家Hishikawa Shigenobu,被移交给江户yumeji,U金宝搏188手机网址emura shoen和其他人在江户时间结束后。碧靖会的普及达到了1916年左右达到了高峰,尽管它被批评者批评,源于Ukiyo-E的批评,这被认为是普通人的低级艺术。

虽然它没有扫除世界的时间势头,但它仍然是日本绘画的主要类型,可能是日本文化的强大部分。

然而,关于美容绘画的声音,有些老式的东西,已成为传统文化的一部分。

akihiro mitsumoto.

akihiro mitsumoto是其中之一。

虽然他使用石油和铂叶作为中等而不是日本绘画中使用的矿物质,但他画画中描绘的女性的外观就是一家碧靖会。

创造边缘......你和凌龙,
116.7 x 58.3 cm

Mitsumoto says, “I want to express not only the person but also the space in which the person exists by making the most of margins.

背景也值得关注。女人直接坐在哪个瓷砖,混凝土墙是作为建筑师的背景瞥见。

你和玫瑰和创造
Margins112 x 162 cm

Click here to see the works

Beniko Choji / Beniko Choji

As the gender of the artist changes, the perspective on female beauty also changes dramatically. Encountering Beniko Choji’s work brings up such thoughts.

在她的作品中,她描绘了一个单身,无表情的女人。她限制了女人的颜色,她的衣服和少数其他主题的原因是为观众的情绪创造一个空间,并鼓励沉思。没有背景,自然吸引观众的凝视的美丽有自江户局结束以来在美容绘画中看到的“颓废之美”的要素。

要坚持的东西,
91 x 65.2 cm

使用红色和黑色,通常用于描绘性和暴力,以及用有毒的化妆和服装的妇女描绘使这项工作乍一看似乎紧张。但是,如果你花时间看着绘画中女性的表达,你会感受到来自绘画的非常温和的温度,你会意识到张力慢慢放松。每当你看一幅漂亮的女人,她的表情也会发生变化,你永远不会厌倦看到她的画作,摇动观众的心。

没人知道的故事。
39 x 28厘米

点击此处查看她的作品介绍

Masahiko Konno.

到目前为金宝搏188手机网址止介绍的艺术家我traditional style based on the context of the past. However, there are also artists who inject the essence of modernity into the “beauty of Japanese women” that beauty paintings possess. Among them is Masahiko Konno, whose work evokes an extremely modern sensibility.

梅花(baika),
33.3 x 45.5 cm

In the Edo period (1603-1868), beauty paintings did not focus on the resemblance to the model, but rather on which ukiyo-e artist’s “style” the beauty was represented. Later, as the times progressed, the pursuit of reality was pursued and the female figure gradually became more realistic.

Ki-chi,
45.5 x 33.3 cm

伊曼诺进一步更新了风格化美容绘画,并将它们绘制好像是上传到社交网站的照片。我想知道这是否是现代人对日本女性之美的结果,或者如果它只是巧合。无论如何,Konno描绘的新鲜女性是“活着的。

点击此处查看他的作品介绍。

As evidenced by the popularity of Ikenaga Yasuakira, there are certainly signs of a revival of bijinga. It is a good idea to think about this as you gaze at the beauties standing on the screen, wondering who will be the artist who will weave the history of bijinga in the future.

Shinzo Okuoka https://www.tricera.net/
Born in 1992 in Tokyo, Japan. After studying Indian philosophy at university, she worked at a publishing company as a deputy editor of an art magazine and a shrine magazine, where she was involved in planning and editing magazines and books. 2019 she joined TRiCERA, a start-up company, where she was in charge of developing Japan's first cross-border e-commerce site specializing in contemporary art, managing artists, and launching the company's own on-demand media. He is also in charge of developing Japan's first cross-border e-commerce site specializing in contemporary art, managing artists, and launching the company's own owned media. He is a fast writer, and when he was working for a magazine, he was able to write 150 pages in a month by himself.

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