2021年8月25日星期三
其他 金宝搏188手机网址艺术家。

金宝搏188手机网址艺术家[相对的工作]。

这是不寻常的人也有类似的专业,以他们的亲属。这是音乐家和运动员尤其如此,对他们来说,是有统计相关性。正如预期的那样,有许多人谁拥有艺术家作为父母,而且在许多情况下,他们的父母工作的影响力可见一斑。金宝搏188手机网址

然而,即使你的亲戚不是艺术家,他们也可以间接影响你的创作。金宝搏188手机网址有时它们可以成为主题和灵感的来源。通常,它们可以成为有抱负的艺术家的催化剂。金宝搏188手机网址因此,近亲的职业是艺术家创作过程的重要组成部分。金宝搏188手机网址

在这篇文章中,我想探讨这些亲戚的职业和并排他们的作品侧之间的关系。

父亲:贸易公司员工

纱织神田

当Kanda是一个孩子时,由于她父亲作为贸易公司员工的工作,她在巴格达(伊拉克)和迪拜(阿联酋)度过了时间。在生活在外国土地上,她接触到世界的美丽和日本的魅力。

 She calls herself a “dancing painter,” and her art performance is based on the idea of painting by feeling the waves of music with her whole body. The body itself becomes a part of the painting and dances across the big screen. The brushstrokes that the artist creates dynamically have a life-like vitality, and are born and then disappear. Their cycle is like an ecosystem.

 The work with physical expression is connected to the action painting lineage of Kazuo Shiraga and Jackson Pollock, but the performance that fills the space with lighting, music, dance, incense, costumes, hair and makeup, stage art, etc. is highly regarded as a unique performing art and is registered as a World Heritage/Okinawa It is also registered as a World Heritage Site/Okinawa Nakagusuku Site. She has also given dedication dance performances at Amagawadai-Benzai-Ten Shrine in Nara, Kibitsuhiko Shrine in Okayama, and in Taiwan, Shanghai, and Hong Kong. USA, Switzerland, France, Kazakhstan, India, Myanmar, Philippines, etc. She has also been invited to Japan.

 Her travels around the world, absorbing the encounters with the people there, and energetically presenting her works as a dancer and painter, transcend the boundaries of country and race, but we can assume that her upbringing is closely related to her original experiences.

点击此处查看更多kanda的绘画。

https://www.tricera.net/金宝搏188手机网址artist/8100114

父亲:铁匠

Hiroko Tokunaga.

 The presence of a blacksmith, a form of “monozukuri,” in her childhood seems to have shaped Tokunaga’s unique attitude toward creation. When she was in college, she majored in oil painting, but after exploring the possibility of expressing herself through “making things” rather than “painting,” she found a way to carve out acrylic sheets. This is as far as she has gotten. Her current work has a contemporary “high” vibe to it, but at the same time it is more than art. In addition, it gives us a sense of a more fundamental act: making things.

 Maybe it’s because I know her parents are blacksmiths, but I can’t help but feel that blacksmiths and Tokunaga’s works and creations have something in common. From a distance, her works look very modern and neat, but at the same time, they seem impersonal and even cold. They are like iron products that have just been forged and finished by a blacksmith.

 However, the cut out dots and lines have a different look when viewed up close. The work is incredibly delicate, yet one can see the traces of human skill with certainty. The warmth of these works seems to reflect the spirit of craftsmanship inherent in the family business of blacksmithing, which has been passed down from generation to generation. There is. By looking at the “accumulation” of dots and lines, the viewer “perceives” all the sensations of her transition from art to “making things,” and the “connection” of dots and lines acquired through this transition, which she experienced in her brush “accumulation” during her college days.

点击查看其它作品弘德永

https://www.tricera.net/金宝搏188手机网址artist/8100373.

妹妹:服装商人

Shimpei石川

 Ishikawa’s older sister was a fashion student, so fashion magazines were close at hand when she was an adolescent. The models she saw on the magazine runways were symmetrical. Artistic models must have tugged at Ishikawa’s heartstrings as an artist. After that, the model-like figure began to appear in his motifs, and even now, Ishikawa’s interest in models is high. This is connected to the basis of his work, which is to “feel and imagine.

 He often covers the model’s face and body with clothes to transform it into a form different from the original human body. This has been done. The artificial act of putting on clothes transforms them into “made” parts, like dolls. However, the legs used to walk the runway are, so to speak, part of the original human form, “made or unmade. The coexistence of these two elements shakes the viewer’s vague yet vivid sense of “feeling and imagining. The coexistence of these two parts shakes the viewer’s vague but vivid sense of “feeling and imagination. Because of the “made” part, there is a kind of blankness in the “made or unknown” part. In this way, we, the viewers of the models, are encouraged to use our imagination.

 Ishikawa reproduces exactly the same thing in his work. The artificially manipulated form of the work and the unconscious image of the viewer coexist and interact with each other. His works, which are completed by doing, are by their nature like a creative process. He creates his works on the premise that there is a person inside, deliberately leaving room for the viewer’s imagination. He holds a hand. The viewer is consciously aware of the “made” part of the work with the hand and the “made or unknown” part of the work without the hand. The interactional relationship with the work is bounded by back and forth. Not only that, but it will make us reconsider what consciousness is.

对于石川来说,用木块雕刻一个人的行为和一个穿着衣服的人的结构是他作品中的自然元素。这是一个结,一个看似奇怪的动作。然而,“感觉和创造”的心理功能可能隐藏在我们的日常生活中,在时装模特中,以意想不到的方式。

点击这里查看Shimpei Ishikawa的更多作品

https://www.tricera.net/金宝搏188手机网址artist/8100381.

Shinzo Okuoka. https://www.tricera.net/
1992年出生于日本东京。在学习大学的印度哲学之后,他在一家出版社工作,作为艺术杂志和神社杂志的副编辑,他参与了规划和编辑杂志和书籍。2019年,他加入了一个初创公司Tricera,他负责开发日本第一次跨境电子商务网站,专门从事当代艺术,管理艺术家,并推出该公司自己的按需媒体。金宝搏188手机网址他还负责开发日本第一届跨境电子商务网站,专门从事当代艺术,管理艺术家,并推出公司自己的拥有媒体。金宝搏188手机网址他是一个快速的作家,当他为一本杂志工作时,他能够在一个月内写150页。

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